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300 Rise Of An Empire Schauspieler

Written By Thursday, July 14, 2022 Add Comment Edit

2014 flick directed by Noam Murro

300: Ascent of an Empire
In this movie poster, a bare-chested Sullivan Stapleton in his role as Thermistocles is shown in the midst of battle, his face in combat rage. He carries a shield in his left hand, a bloodied short-sword in his right, and is stabbing downwards at an unseen enemy to the right. In the background floats the movie catch phrase: Seize Your Glory.

Theatrical release affiche
Directed by Noam Murro
Screenplay by
  • Zack Snyder
  • Kurt Johnstad
Based on Xerxes [a]
by Frank Miller
Produced by
  • Gianni Nunnari
  • Mark Canton
  • Zack Snyder
  • Deborah Snyder
  • Bernie Goldmann
Starring
  • Sullivan Stapleton
  • Eva Green
  • Lena Headey
  • Hans Matheson
  • Rodrigo Santoro
Cinematography Simon Duggan
Edited by
  • Wyatt Smith
  • David Brenner
Music by Junkie XL[three]

Production
companies
  • Legendary Pictures
  • Cruel and Unusual Films
  • Atmosphere Pictures
  • Hollywood Gang Productions
Distributed by Warner Bros. Pictures

Release dates
  • March 4, 2014 (2014-03-04) (TCL Chinese Theatre)[iv]
  • March 7, 2014 (2014-03-07) (United States)

Running time

 102 minutes[5]
Land United States
Linguistic communication English
Budget $110 million[6]
Box office $337.half-dozen meg[half-dozen]

300: Rise of an Empire is a 2014 American epic action film directed by Noam Murro from a screenplay by Zack Snyder and Kurt Johnstad, based on Frank Miller'due south graphic novel Xerxes.[a] Information technology is a sequel to the 2007 pic 300, taking place earlier, during, and subsequently the main events of that flick, and is loosely based on the Battle of Artemisium and the Battle of Salamis.[seven]

The cast includes Lena Headey, Peter Mensah, David Wenham, Andrew Tiernan, Andrew Pleavin, and Rodrigo Santoro reprising their roles from the showtime film, alongside Sullivan Stapleton, Eva Green, Hans Matheson, and Callan Mulvey. Information technology was released in 3D and IMAX 3D on March 7, 2014.[8] [ix] The film's score was composed by Junkie Xl,[ten] being the first picture in an ongoing partnership with Snyder.

The film was released to mixed reviews, with critics praising the action sequences, music, cinematography, visual furnishings and Light-green's performance but criticizing the story and overstylized gore. It grossed over $337 million worldwide from a $110 million budget.[half dozen]

Plot [edit]

Queen Gorgo of Sparta tells her men almost the Battle of Marathon, in which King Darius of Persia was killed past General Themistocles of Athens ten years before. Darius's son, Xerxes, witnesses his male parent's death and is advised to not go along the state of war since "just the gods can defeat the Greeks". Darius'southward naval commander, Artemisia, claims that Darius' last words were, in fact, a challenge and sends Xerxes on a journey through the desert. Xerxes finally reaches a cave and bathes in an otherworldly liquid, emerging as the 8-foot alpine "God-King". He returns to Persia and declares state of war on Greece to avenge his father.

As Xerxes's forces accelerate towards Thermopylae, Themistocles meets with the council and convinces them to provide him with a fleet to engage the Persians at the sea. Themistocles so travels to Sparta to ask Rex Leonidas for help, but is informed by Dilios that Leonidas is consulting the Oracle, and Gorgo is reluctant to side with Athens. Themistocles later reunites with his onetime friend Scyllias, who infiltrated the Farsi troops and learned Artemisia was born Greek, but defected to Persia every bit her family was raped and murdered by Greek hoplites. She was taken as a sexual activity slave and subsequently left for dead in the streets. She was rescued and nursed dorsum to health by a Persian emissary who and so adopted her as his own. Throughout the following years, she was trained by the all-time Western farsi warriors and her adopted male parent. Eventually she became such a skilled and unstoppable warrior that she gained the attention of King Darius. He accustomed her into his ain family as well and made her a naval commander after she killed many of his enemies. It is besides shown that her adopted begetter was the same emissary that Leonidas killed which has only further fueled her quest for revenge, not only for her biological family, just now also for her adopted 1 every bit well. Themistocles also learns that Leonidas has marched to fight the Persians with but 300 men.

Themistocles leads his fleet of fifty warships and several k men, which include Scyllias, Scyllias's son Calisto, and Themistocles' correct-mitt human being Aeskylos to the Aegean Sea, starting the Battle of Artemisium. They ram their ships into the Persian ships, charge them, slaughtering several soldiers before retreating from the sinking Persian ships. The post-obit twenty-four hour period, the Greeks feign a retreat and lead a group of Persian ships into a crevice, where they become stuck. The Greeks charge the Persian ships from the cliffs to a higher place and impale more Persians. Impressed with Themistocles' skills, Artemisia brings him onto her send where she has sex with him in an attempt to lure him to the Farsi side as her 2d-in-command. They fight and make love simultaneously. He refuses her offer, causing her to dismiss him.

The Persians spill tar into the sea and send suicide bombers to swim to and board the Greek ships with their flame bombs. Artemisia and her men burn flaming arrows and torches to ignite the tar, but an Athenian manages to kill one of the Persians, who falls into the tar carrying a torch, causing ships from both sides to explode. Themistocles is thrown into the bounding main by an explosion and about drowns before being rescued by Aeskylos, and stands by Scyllias'due south side equally he succumbs to his injuries. Believing Themistocles to be dead, Artemisia and her forces withdraw. Later on recovering from his injuries, Themistocles learns that just a few hundred of his warriors and six of his ships survived the disastrous attack executed by Artemisia.

Daxos, an Arcadian general, tells Themistocles that Leonidas and his 300 men were killed after Ephialtes betrayed the Greeks to Xerxes. Themistocles returns to Athens and confronts Ephialtes. The plain-featured Spartan traitor reveals that Xerxes plans to attack and burn Athens to the basis. Ephialtes acknowledges and regrets his betrayal shamefully, and welcomes expiry. Themistocles spares him instead, so he can warn Xerxes that the Greek forces are gathering at Salamis. He then visits Gorgo in Sparta while she is mourning Leonidas'southward death to ask for aid, only Gorgo is angry for what the goal of a united Greece has price her and her people. Before departing, Themistocles returns Leonidas's sword, which had been delivered to him by Ephialtes under Xerxes's orders, and urges Gorgo to avenge Leonidas.

In Athens, Xerxes'southward ground forces is laying waste when Ephialtes arrives to evangelize Themistocles' message. Upon learning he is alive, Artemisia leaves to prepare her entire navy for battle. Xerxes suggests it is most likely a trap, but she nonetheless leaves after reminding him that she made him king through her efforts while he sat safely at a distance and watched. The remaining Greek ships charge into the Persians ships, and the two armies battle, start the decisive Battle of Salamis. Themistocles and Artemisia appoint in a duel, which ends in a stalemate with both receiving severe injuries.

At this moment Gorgo, who had been narrating the tale to the Spartans, arrives at the battle forth with ships from numerous Greek metropolis states including Delphi, Thebes, Olympia, Arcadia, and Sparta, all of them uniting against the surrounded Persians. Daxos leads the Arcadian army while Themistocles urges Artemisia to surrender. Xerxes, watching the boxing from a cliff, turns his dorsum on her, acknowledging his naval defeat and continuing the march of his regular army. Artemisia tries to kill Themistocles one last time but is killed as he stabs her through the stomach. While Dilios leads the Greek assault, Themistocles and Gorgo have a moment to silently acknowledge ane another'southward brotherhood as the remaining Persians attempt a counter-attack. The three then charge at the opposing Persians with the whole Greek army.

Cast [edit]

  • Sullivan Stapleton every bit Themistocles
  • Eva Green as Artemisia
    • Caitlin Carmichael as 8-twelvemonth-sometime Artemisia
    • Jade Chynoweth equally xiii-year-sometime Artemisia
  • Lena Headey every bit Queen Gorgo
  • Rodrigo Santoro as King Xerxes
  • Jack O'Connell every bit Calisto
  • Hans Matheson equally Aeschylus[eleven]
  • Callan Mulvey as Scyllias
  • David Wenham as Dilios
  • Andrew Tiernan as Ephialtes
  • Yigal Naor as Male monarch Darius I[12]
  • Andrew Pleavin as Daxos
  • Ben Turner equally Full general Artaphernes
  • Ashraf Barhom as General Bandari
  • Christopher Sciueref as General Kashani
  • Peter Mensah as Artemisia's trainer / Persian messenger
  • Gerard Butler as King Leonidas (flashback)[xiii]
    • Additionally, a computer-generated facsimile is used to represent Leonidas in a separate scene.
  • Michael Fassbender as Stelios (flashback)

Product [edit]

In June 2008, producers Gianni Nunnari, Mark Canton, and Bernie Goldmann revealed that piece of work had begun on a sequel to 300.[fourteen] Legendary Pictures announced that Frank Miller, who wrote the 1998 comic book limited series on which the film 300 was based, was writing a follow-upwardly graphic novel, and Zack Snyder, co-screenwriter and managing director of 300, was interested in directing the accommodation, but instead chose to develop and direct the Superman reboot Man of Steel.[15] [16] Noam Murro directed instead, while Snyder produced and co-wrote. The film was centered on the Greek leader Themistocles, portrayed past Australian actor Sullivan Stapleton.[17] During pre-product, the picture show was titled 300: Battle of Artemisium (although this was widely misreported as "Battle of Artemisia");[18] the flick was retitled 300: Ascension of an Empire in September 2012.[19]

Chief photography commenced in early on July 2012 at the Nu Boyana Film Studios in Sofia, Republic of bulgaria.[20] Underwater greenscreen scenes were also filmed at Leavesden Studios.[21] On May ten, 2013, it was appear the movie's release engagement would exist pushed dorsum from August 2, 2013, to March 7, 2014.[viii]

Reception [edit]

Box office [edit]

300: Rising of an Empire grossed $106.6 million in North America and $231 million in other territories for a worldwide total of $337.vi 1000000, confronting a production upkeep of $110 million.[half-dozen]

In Due north America, the movie opened to number one in its offset weekend with $45 million.[22] In its second weekend, the film dropped to number two, grossing an additional $19.2 1000000.[23] In its third weekend, the flick dropped to number 5, grossing $8.five million.[24] In its fourth weekend, the moving-picture show dropped to number ix, grossing $4.ii million.[25]

Critical reception [edit]

300: Rise of an Empire received mixed reviews from critics. Review aggregation website Rotten Tomatoes gives the film an approval rating of 45% based on 198 reviews, with an average rating of 5.00/10. The site's critical consensus reads, "Information technology'south bound to hit some viewers as an empty exercise in stylish gore, and despite a gonzo starring performance from Eva Greenish, 300: Rising of an Empire is a step down from its predecessor."[26] On Metacritic, the film has a score of 48 out of 100 score, based on 34 critics, indicating "mixed or average reviews".[27] Audiences polled by CinemaScore gave the moving-picture show an average form of "B" on an A+ to F scale, down the A− received past its predecessor.[28]

Todd Gilchrist of The Wrap gave the flick a negative review, saying "Ascent of an Empire lacks director Snyder's shrewd deconstruction of cartoonish hagiography, undermining the glorious, robust escapism of testosterone-fueled historical reenactment with an underdog story that's almost too cogitating to be rousing."[29] Todd McCarthy of The Hollywood Reporter gave the flick a negative review, saying "Although Gerard Butler'south star has significantly fallen due to the 17 mediocre films he's made since 300, it must exist admitted that he's missed hither."[30] Scott Foundas of Variety gave the moving picture a positive review, saying "This highly entertaining time-filler lacks the mythic resonances that made 300 feel like an instant classic, but works surprisingly well on its own terms."[xiii] Guy Gild of Time Out gave the film three out of five stars, saying "Information technology's mankind and carnage that the audience is here to see, and Murro delivers it by the glistening ton, pausing only for stray bits of backstory."[31] Kyle Smith of the New York Post gave the film two and a half stars out of four, maxim "The moving-picture show works equally a high-tech boy-fantasy successor to Conan the Barbarian."[32] Soren Anderson of The Seattle Times gave the film three out of five stars, proverb "Ascension of an Empire is non great by any stretch of the imagination, but it'due south very impressive in its single-minded dedication to creating a moviegoing experience designed to totally engulf its audition."[33] James Rocchi of Film.com gave the picture a zilch out of 10, proverb "Long on cerise spurts of claret merely low on character, larded with production value but bereft of any other kind of information technology, 300: Ascension of an Empire is a 3D joke."[34]

James Berardinelli of ReelViews gave the moving-picture show 2 and a one-half stars out of four, saying "The lack of a creative driver behind the film leads to a level of central dissatisfaction. The movie delivers all the necessary elements but their impact is dull."[35] Joe Neumaier of the New York Daily News gave the film one out of five stars, saying "The film winds up looking like an ashen video game. Information technology's even more than dirty in IMAX and 3-D."[36] Colin Covert of the Star Tribune gave the picture show two out of four stars, proverb "300: Rise of an Empire plays like a collaboration between the Marquis de Sade and Michael Bay. Or maybe the History Channel and the Saw franchise."[37] Ann Hornaday of The Washington Post gave the motion picture i out of 4 stars, saying "Rise of an Empire is no fun at all – fifty-fifty those famous 6-pack abs from 300 seem to be missing a can or two in this desperate endeavor to upward an already dubious ante."[38] Drew Hunt of the Chicago Reader gave the motion picture a negative review, saying "The wearisome-movement battle scenes are technically impressive and occasionally elegant, but at that place'southward enough machismo hither to choke a thousand NFL locker rooms."[39] Richard Roeper gave the moving-picture show 3 and a one-half stars out of four, calling the film "A triumph of production pattern, costumes, brilliantly choreographed boxing sequences and stunning CGI."[40]

Scott Bowles of U.s.a. Today gave the film 2 out of four stars, saying "For anyone looking for a sense of script (forget plausibility), Empire is a Trojan horse."[41] Betsy Sharkey of the Los Angeles Times gave the film a positive review, saying "The spectacularly brutal fighting is the motion picture's chief calling card, and in that Rise of an Empire doesn't disappoint."[42] Nicolas Rapold of The New York Times gave the flick a mixed review, saying "The naval collisions and melees play out in panel-like renderings that are bold and satisfying for the get-go half-hour but lack the momentum and bombastic je ne sais quoi of 300."[43] David Hiltbrand of The Philadelphia Inquirer gave the motion picture ii and a one-half stars out of four, saying "With its slo-mo ultraviolence, gushers of blood, impressive 3-D furnishings, homoerotic subtext, and self-important plot, this is a fan boy's fantasy, a four-star wonderment."[44] Tom Long of The Detroit News gave the film a D, saying "300: Rise of an Empire is a bloodbath and non much else."[45] Adam Nayman of The Earth and Mail service gave the flick one and a half stars out of four, saying "An extension of the 300 universe, similar an add-on content pack for a video game."[46] Mark Jenkins of NPR gave the picture a negative review, proverb "If the moving picture'southward activeness recalls video games, the dramatically artificial lighting suggests 1980s rock videos. Indeed, Rise of an Empire is so campy that it might work better as a musical."[47] Stephen Whitty of the Newark Star-Ledger gave the film one and a half stars out of iv, maxim "There is much grinding of teeth, and mauling of history, and anachronistic use of gunpowder, until we plug our ears and desperately pray to the gods of Olympus, or the brothers of Warner, that they might make an finish."[48]

Despite mixed reviews for the film every bit a whole, Eva Greenish's operation as the naval officeholder Artemisia received positive reviews, with some going so far as to say she was more interesting than the heroes, and saved the film. Ty Burr of The Boston Globe, in his positive review stated, "Rise of an Empire may strike some as an improvement on the get-go film, if only for two reasons: naval warfare and the glorious absurdity of Eva Greenish."[49] According to Rafer Guzman'due south Newsday review, "The 1 vivid spot is Eva Light-green as Xerxes' machinator, Artemesia, a raccoon-eyed warrior princess... Light-green plays a snarling, insatiable, self-hating femme fatale and completely steals the evidence."[fifty] And perhaps most emphatically, Stephanie Zacharek writing for The Village Vocalization exclaimed, "Rise of an Empire might take been substantially more of the same, but for one distinction that makes information technology 300 times better than its predecessor: Mere mortals of Athens, Sparta, and every metropolis from Mumbai to Minneapolis, behold the magnificent Eva Green, and tremble!"[51] Some critics take identified the film as an case of Iranophobia.[52]

Historical accuracy [edit]

The Guardian's historical films reviewer, Alex von Tunzelmann, discredited the film's historical legitimacy, giving it the classification of "History grade: Fail." She itemizes numerous historical discrepancies in the film, including the pivotal scene in which Themistocles kills Darius the Groovy at the Battle of Marathon fifty-fifty though he was actually absent and died of natural causes only years later.[53]

Tunzelmann farther quotes the Persian Fire writer and historian Tom Holland, who translated Herodotus's Histories, and who is an skilful on the Greco-Western farsi wars, every bit comparing the film to a wild fantasy substitute for bodily historic reality.[53]

Paul Cartledge, a professor of Greek culture at Cambridge University, also noted historical inaccuracies in the moving-picture show. For example, Darius was not killed as depicted, and neither Xerxes nor Darius was nowadays at the Battle of Marathon. Artemisia, historically a queen and not an abused orphaned slave, actually argued confronting sailing into the straits and survived the Persian Wars. In add-on, the Spartan Navy contributed a mere xvi warships to the Greek armada of 400 warships in the ending battle scene, rather than the huge fleet shown.[54] [55]

Dwelling media [edit]

300: Ascension of an Empire was released on the iTunes Store on June 3, 2014, and was released on DVD and Blu-ray on June 24.[56]

Cancelled sequel [edit]

In a 2016 interview, Snyder stated that more than sequels to 300 would focus on topics beyond Ancient Greece, such as the American Revolutionary War, the Battle of the Alamo or a battle in China.[57]

In May 2021, Snyder revealed that he had written an Alexander the Great film that was intended to part every bit a conclusion to the 300 trilogy, but information technology evolved into having a greater focus on a beloved story between Alexander and Hephaestion, leading Snyder to call up it could non function every bit a 3rd 300 movie. The script was retitled Claret and Ashes but it failed to exist greenlit by Warner Bros. Pictures.[58]

Run across as well [edit]

  • Listing of historical drama films

Notes [edit]

  1. ^ a b Unpublished at the time of the release of the film.[1] [2]

References [edit]

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  53. ^ a b von Tunzelmann, Alex "300: Rise of an Empire – doesn't know its Artemisia from its elbow; Scarred by racist political stereotyping, the mighty Persian empire is dealt a blow past plucky freedom-loving Greeks – with the help of Bondage Nymphomaniac Revenge Barbie," March 12, 2014, The Guardian, retrieved Feb 20, 2020
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  57. ^ Goldberg, Matt (March eighteen, 2016). "Sectional: '300' Sequels Could Go Beyond Ancient Greece Says Zack Snyder". Collider. Archived from the original on March 22, 2016. Retrieved March 21, 2016.
  58. ^ Zack Snyder Says Warner Bros. Passed on His Third ' 300 ' Movie, an Alexander the Bully Romance

External links [edit]

  • Official website
  • 300: Ascent of an Empire at IMDb
  • 300: Rise of an Empire at Box Office Mojo
  • 300: Rise of an Empire at Rotten Tomatoes
  • 300: Rise of an Empire at Metacritic Edit this at Wikidata
  • 300: Rise of an Empire at AllMovie

Source: https://en.wikipedia.org/wiki/300:_Rise_of_an_Empire

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